Montréal’s own Charlotte Cardin continues her remarkable international ascent with the release of The Way We Touch, a smoldering new single accompanied by a striking music video that deepens the singer’s signature fusion of intimacy, sensuality, and cinematic pop.
MUSIC
Black Country, New Road’s Unpredictable Future
Black Country, New Road have been anything but stagnant since their 2018-inception. Significant changes across the band’s structure and sound prove the six-piece as masters of adaptability, especially on their 2025 album Forever Howlong.
Entering the atmosphere of Flying Lotus’ BIG MAMA
A forward-thinker with a natural talent for placing himself at the centre of culture, Flying Lotus is the embodiment of a creative visionary.
The Newfound Confidence in Self-Questioning on Deathcrash’s Somersaults
Nearing a decade as a four-piece band, deathcrash sounds more united than ever Somersaults. The third album sees members Tiernan Banks (vocals/guitar), Noah Bennett (drums), Patrick Fitzgerald (bass), and Matthew Weinberger (guitar) at their most vulnerable while they continue to reflect on how the band fits into their adult lives.
Reflecting on a life lived through music: In-Conversation with Simon Raymonde on ‘In One Ear’
Some artists spend their lives mythologized by others. Few take the risk of narrating their story themselves. Simon Raymonde has always been the quiet engine behind some of the most influential sounds of the late twentieth century, shaping entire textures of dream pop through his work with Cocteau Twins and shepherding new voices into the world as the founder of Bella Union.
The Freedom, Fluidity, and Fulfillment That Follows Rodney Chrome
Emerging from the convergence of dance, performance, and experimental pop, Rodney Chrome has quickly become one of the most exciting multi-hyphenate voices reshaping the contours of contemporary music.
Alemeda Knows It All, Except When She Doesn’t
Alemeda is learning to let go of being right. “I used to think I knew everything,” she admits, “Turns out I really didn’t.”
Of Monsters And Men Come Home to Themselves on ‘All Is Love and Pain in the Mouse Parade’
Reinvention does not require losing sight of the past. Embracing your roots and returning to what feels like home, physically or emotionally, can revive familiarity with newfound perspective and inspiration.
Belle of the Bog: Ethel Cain’s Willoughby Tucker Forever Tour Lands in Toronto
Ethel Cain’s Willoughby Tucker Forever Tour descended on Toronto this week, taking over the Queen Elizabeth Theatre for the first of two sold-out nights.
Wisp Isn’t Escaping Through Fantasy, She’s Using It to Step Into Her True Self
Pushing past her fears and putting her heart on the line, Wisp is witnessing her childhood fantasies come to fruition in real-time.









