For decades, Toronto’s fashion scene has occupied an uneasy position within the global industry. The city produces a steady stream of designers, stylists, and photographers, yet its infrastructure has historically lagged behind the scale of its creative talent.
Holiday gifting always seems easier in theory. In practice, most of us end up circling the same familiar ideas, hoping they’ll feel personal enough to land.
To speak of fashion in Canada is often to speak of the periphery. Not spatially, but semiotically. So much of the runway here is caught between emulation and longing, between the urge to participate and the need to differentiate.
This May, Fashion Art Toronto marks two decades with its most expansive programming to date—a full month of runway shows, site-specific installations, boutique collaborations, and citywide pop-ups.
Toronto-based fashion and beauty photographer Jamie Brockie captures the elegance of structure and the artistry of form in ANDY + JIALIN.
Fashion, much like air travel, has always been about motion—moving between places, ideas, and identities. For Toronto-based designer Anton Styntsov, this metaphor takes flight in their debut collection, a daring synthesis of tailored power suits, aviation-inspired uniforms, and structured evening wear.
To close out Fashion Art Toronto’s 1664 Fashion Week, Liminul is teaming up with Matières Fécales, Fashion Art Toronto, Lignes de Fuite, and Combo Breaker Toronto to bring you NEVER CONFORM II—a night that promises to break the boundaries of art, music, and fashion.
As the chill of November approaches, Toronto is set to become the epicentre of fashion innovation with the return of Fashion Art Toronto’s 1664 Fashion Week, running from November 14th to 17th, 2024.
Montréal based Process Visual’s 10th collection, “BALLOON,” was unveiled at Fashion Art Toronto S/S ’24 last month, under the aegis of Lignes de Fuite—a talent incubator initiated by Milan Tanedjikov.
On March 21, 2024, Toronto-based clothing brand NUIT Clothing Atelier unveiled their Spring ’24 collection, titled “La Femme/Diable,” which translates to “The Woman/Devil” in English.