Firefly-shaped jewels flickered on the Valentino’s SS26 runaway last season, against royal blues and dense floral prints in Alessandro Michele’s collection, aptly named Fireflies, an attempt in Michele’s own words in the show notes, to “reawaken the gaze” and “nourish imagination with political force”.
It’s rare to find a story of friendship as the binding force behind an exhibition, as is on full display in Azzedine Alaïa, Thierry Mugler 1980/1990: Two Decades of Artistic Affinities.
Warhaul Studio came to life through a creative spark between friends, says Wess, Music Producer and CEO of the creative collective – fueled by music, art, and a shared vision to build something powerful in Toronto.
With Echoes of the Disposable, John Londoño reminds us that photography is a melancholy kind of magic, conjuring people and places beyond our grasp.
“There are no paved roads here to follow. There is no road map.” (p. 151) This quote from Grace Nichols, the former chief executive of the Victoria’s Secret stores division, sums up the revelations shared by Lauren Sherman and Chantal Fernandez in Selling Sexy: Victoria’s Secret and the Unraveling of an American Icon.
This past weekend, 11,000 dedicated fans of Los Angeles-alternative rock band Wallows filed into Budweiser Stage as they touched down in Toronto as part of their MODEL Tour.
DSquared2, the iconic Canadian brand renowned for its campy and eclectic designs, has once again captivated the fashion world with its FW24/25 show.