Upon first meeting Saskatoon-based director Amalie Atkins, I confess to crying, or rather sobbing, during the end credits of her feature film Agatha’s Almanac.
16mm film
Lykke Li’s ƎYƎYƎ: A Haunting Reverse Version of EYEYE
In her latest bold move, Lykke Li reimagines her 2022 album EYEYE as ƎYƎYƎ, a reverse-engineered ambient version that plunges listeners into an immersive, auditory dreamscape.

