The contemporary sonic soundscape of pop music toward the end of the 2010s lent itself heavily to a sort of anti-melodicism, a particular dissonance that sprang up in the likes of queer underground artist collectives.
luigi russolo
The contemporary sonic soundscape of pop music toward the end of the 2010s lent itself heavily to a sort of anti-melodicism, a particular dissonance that sprang up in the likes of queer underground artist collectives.