Upon first meeting Saskatoon-based director Amalie Atkins, I confess to crying, or rather sobbing, during the end credits of her feature film Agatha’s Almanac.
ART & PHOTOGRAPHY
The Devil Within Me: A Photo Series by Tomas Dessureault
In a world where most new art feels sanitized, created to appease algorithms and be consumed through a screen, Montreal-based artist Tomas Dessurault is the antidote.
AMARA: The Body as Ritual
In DESIRA’s AMARA, the body becomes a threshold, wherein language recedes, narrative dissolves, and what remains is a symbolic choreography of gestures, textures, and psychic states that unfold like a ritual.
the “moorcore aesthetic” industrial complex
In the past few years there has an indelible rise in gothic aesthetics. From Yorgos Lanthimos’ whimsical Poor Things, to Robert Eggers’ exploration of female desire in Nosferatu and his upcoming folk-horror take on medieval werewolf mythos The Werewulf, to the controversial Emerald Fennell adaptation of “Wuthering Heights” released earlier this year.
Some Kind of Good Life: Christopher Sherman’s Afterlives of Shame
On October 14th, I clocked out of my day job and was seized by a want for sensuous experience. I needed to be gripped by art of some kind and brought back to life from the quotidian routines of the office, which left me feeling hard-boiled, bored, and cold.
Exposure Culture: Inside Egghead Republic’s Apocalypse of Ambition
Egghead Republic is a surreal satire set in a reimagined 2004, where the Cold War culminated in an atomic bomb being dropped on Soviet Kazakhstan.
Notes on the ‘Whorearchy’: Andrea Werhun and Nicole Bazuin on Modern Whore
“I want them to like me.” I twist nervously in the desk chair as I wait to be called in for my interview with writer, performer, and Sex Worker Andrea Werhun, and director, photo-illustrator Nicole Bazuin.
Couture at TIFF 2025: Alice Wincour’s Intimate Portrait of Fashion’s Hidden Seams
In a year where fashion’s collapse and reinvention are unfolding in real time, Alice Wincour’s Couture premiered at TIFF this past week like an unpinned hem: loose, fraying, yet undeniably alive.
FAKE:Mask vs. Persona dares you to consume differently
FAKE, an experimental New York publisher that specialises in multi-sensory media, has released its fourth edition, Mask vs Persona. Each edition of FAKE has consisted of a high-quality vinyl accompanied by a physical printed zine.
A new Lynchian wave is sweeping through contemporary art
Anyone attuned with the contemporary oil painting scene may have noticed a trend in its figurative work: artists seem increasingly fascinated with a new kind of still life, one that injects household items such as curtains, chandeliers or human hair with twilight eeriness.