the “moorcore aesthetic” industrial complex

In the past few years there has an indelible rise in gothic aesthetics. From Yorgos Lanthimos’ whimsical Poor Things, to Robert Eggers’ exploration of female desire in Nosferatu and his upcoming folk-horror take on medieval werewolf mythos The Werewulf, to the controversial Emerald Fennell adaptation of “Wuthering Heights” released earlier this year.