The body as battleground. The body as armour. The body as weapon. Defence Mechanism, our February Digital Cover, lensed by Toronto-based photographer Lucy Mahoney and featuring model Claire Steven dismantles the boundaries between self-preservation and self-destruction.
For our January digital cover story, Seal of Judgment deconstructs the labels, assumptions, and instinctual judgments that define how we move through the world today.
Few artists embody the ethos of provocation more viscerally than Matieres Fecales, the duo comprised of Montreal natives Hannah Rose Dalton and Steven Raj Bhaskaran, whose radical sartorial expressions challenge (or rather provoke) societal norms with a theatricality and intensity rarely seen since the likes of avant-garde icons like Leigh Bowery.
Brooklyn-based photographer Christopher Bucello and stylist Samantha Mendez take us through a series of captivating images in their exclusive new editorial for Liminul, Seeing Red.
In Promethean, Avleen Kaur and Baljit Singh invite us into a hypnotic world that questions the very essence of existence, tracing the lineage of life back to an otherworldly beginning.
Anjulie walks up to the steps of our third-storey photography studio where we’ll soon be shooting her cover story, suitcase dutifully rolling behind her.
In an evocative new editorial, Liminul Magazine is proud to present the collaborative work of Montreal-based photographer Marie-Elaine Gagné and the irrepressible Anna Bloda.
Blurring the lines between on-set spectacle and individuals’ chosen outward personas, artist duo Jodi and Alex explore the dichotomy in their new video series “Looking for Something.”
In the heart of Toronto’s queen west neighbourhood, where the city’s creative pulse arguably beats strongest, Josephine Kent, the visionary behind Verseau, is quietly working on her latest drop for the brand, Moto 001.
On a gloomy morning in Tokyo, Natsuka experienced a metamorphosis:
Swallowtail embraces transformation, rather than the usual rebirth associated with butterflies.