The contemporary sonic soundscape of pop music toward the end of the 2010s lent itself heavily to a sort of anti-melodicism, a particular dissonance that sprang up in the likes of queer underground artist collectives.
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The contemporary sonic soundscape of pop music toward the end of the 2010s lent itself heavily to a sort of anti-melodicism, a particular dissonance that sprang up in the likes of queer underground artist collectives.
