The colour of ONGNA’s Destroyer Jeans began with a stone Angana Ananya found beside Kyoto’s Kamo River. She had already decided on the silhouette, but the stone’s muted, washed-out surface gave the design its tonal direction.
emerging fashion designers
ISECAI’s “Metamorphosis” Rejects Perfection in Favour of Process
In a fashion landscape increasingly defined by polish, completion, and algorithmic refinement, Toronto-based ISECAI’s latest presentation proposes something far less resolved.