Fashion, much like air travel, has always been about motion—moving between places, ideas, and identities. For Toronto-based designer Anton Styntsov, this metaphor takes flight in their debut collection, a daring synthesis of tailored power suits, aviation-inspired uniforms, and structured evening wear.
To close out Fashion Art Toronto’s 1664 Fashion Week, Liminul is teaming up with Matières Fécales, Fashion Art Toronto, Lignes de Fuite, and Combo Breaker Toronto to bring you NEVER CONFORM II—a night that promises to break the boundaries of art, music, and fashion.
As the chill of November approaches, Toronto is set to become the epicentre of fashion innovation with the return of Fashion Art Toronto’s 1664 Fashion Week, running from November 14th to 17th, 2024.
Montréal based Process Visual’s 10th collection, “BALLOON,” was unveiled at Fashion Art Toronto S/S ’24 last month, under the aegis of Lignes de Fuite—a talent incubator initiated by Milan Tanedjikov.
On March 21, 2024, Toronto-based clothing brand NUIT Clothing Atelier unveiled their Spring ’24 collection, titled “La Femme/Diable,” which translates to “The Woman/Devil” in English.
In the heart of Toronto’s queen west neighbourhood, where the city’s creative pulse arguably beats strongest, Josephine Kent, the visionary behind Verseau, is quietly working on her latest drop for the brand, Moto 001.
Fashion Art Toronto (FAT) isn’t just a fashion week; it’s a pulsating artistic community celebrating the cultural ethos of Toronto’s emerging designers.
The fashion world is ever-changing; trends come and go and come again, and there always seems to be a new fad circulating social media every few months.
While skinny and tall women with defined facial structures walk under the spotlight in the most prestigious fashion runways, such as New York, Paris, and Milan Fashion Week, Toronto runways differ and exude the multicultural diversity of Canada.
For months we have been surrounded by boxes upon boxes of both new and old garments and heaps of objects, uniforms, and other sundry items—as a team we have sought out strategies to sort through and organize this multitude, as a kind of compendium—working with alumni/designers/artists/students/faculty we have designed and redesigned, deconstructed and reconstructed our way through the seemingly endless piles with boundless perseverance, infinite patience, and many illuminating conversations.