It’s hard to imagine how romanticism could succeed in a place like a factory or coal mine. Most of what we know of them are gruelling, dehumanizing labour, a profound lack of inspiration, a suffering working class, and a landscape more suited for machines than men.
The cherry on top of the Louis Vuitton x Takashi Murakami ad campaign that debuted earlier this month is undoubtedly the odd soundtrack choice of “Immaterial,” the hyper-pop anthem by the late great Sophie.
In recent months—and particularly the last few days—the luxury fashion industry has experienced a domino effect of transformative leadership changes. Welcome to what we’re calling ‘The Great Fashion Reshuffle.
In a heartfelt and reflective Instagram post, John Galliano, one of the most revolutionary figures in modern fashion, announced his departure from Maison Margiela.
In 2020, amid the uncertainty of a world paused by a global pandemic, Olivia, a Toronto-based creative, began piecing together a digital archive of a bygone era.
Balenciaga’s Pre-Fall 2025 campaign for its Automobili Lamborghini collaboration, styled as a “leaked” series of photos from creative director Demna Gvasalia’s camera roll, at first glance feels like a casual glimpse into the creative process rather than a meticulously curated luxury campaign.
To close out Fashion Art Toronto’s 1664 Fashion Week, Liminul Magazine joined forces with Matières Fécales, Fashion Art Toronto, Lignes de Fuite, and Combo Breaker Toronto to present NEVER CONFORM II, an afterparty that exhilarated Toronto’s underground fashion community.
Toronto’s fashion pulse hit a thrilling high note this season as Fashion Art Toronto (FAT) unveiled its Fall 2024 1664 Fashion Week collections at the sleek new T3 Bayside venue, a setting as innovative as the designs it housed.
“Hi, my connection might be a little bad, so I might be cutting in and out. I’m just on tour right now.”
In a world seemingly addicted to irony, where dark humour and absurdity have become daily forms of cultural currency, it’s hard to shake the sense that genuine emotion is increasingly seen as cringe or passé in contemporary discourse.