Contemporary image culture is often described through excess, whether through Guy Debord’s conception of the spectacle, Jean Baudrillard’s simulacra, or contemporary discourse surrounding the endless recursive circulation of algorithmic media.
media theory
Crude Semiotics: Absurdity as Cultural Exhaust
There comes a point in any saturated system wherein meaning no longer accumulates. It combusts. Contemporary culture functions less like a cogent symbolic order and more like a refinery under pressure, endlessly processing images, aesthetics, affect, and identity into liquid form.


