On October 14th, I clocked out of my day job and was seized by a want for sensuous experience. I needed to be gripped by art of some kind and brought back to life from the quotidian routines of the office, which left me feeling hard-boiled, bored, and cold.
FAKE, an experimental New York publisher that specialises in multi-sensory media, has released its fourth edition, Mask vs Persona. Each edition of FAKE has consisted of a high-quality vinyl accompanied by a physical printed zine.
“The simple gesture of turning a camera towards a woman has become equivalent to a terrorist act.”
This 1981 quote from feminist film scholar Mary Ann Doane captured her frustrations with the objectification and violence which seemed to follow every woman’s portrayal in cinematic narrative.
In her latest project, the decade-spanning photo series titled Broken Mirror, New York-based visual artist Samantha Sutcliffe peers through her camera into the black mirror of American life.
With Echoes of the Disposable, John Londoño reminds us that photography is a melancholy kind of magic, conjuring people and places beyond our grasp.
A blur of colours, ethereal, shimmering droplets of water, a model that seems less human, and more mirage. A world that seems less tangible, and more imaginative.
Liminul presents ‘Bow Down To Me’ – a collaborative visual project born from artists currently working, living and creating in Toronto & Montreal.
The Fabricant is an Amsterdam-based digital-only fashion house that fuses reality with a digital scape where a hybrid aesthetic of both universes exist and evolve.
Wolfgang Tillman’s To Look Without Fear, currently exhibiting at the Art Gallery of Ontario until October 1st 2023, is a retrospective of the German photographer’s oeuvre.
What is ‘Accidental Renaissance’? Well, you’ve probably seen these pictures popping up on your feed at some point.
It’s a phenomenon in which pictures taken by civilians without a second thought, and by the chance of faith, the elements aligned to create a picture of perfect balance of light, movement, and perspective in the picture, transcending a universal commentary on humanity.