AI Fashion is slowly but surely taking over. Rapidly growing in popularity and interest, the first AI Fashion Week was held last week in NYC, and as interest in the power of AI blooms amongst the fashion community and consumers – the technology which supports it develops further, expanding creative potential and disturbing the fashion space.
Two motion picture pieces by Meriem Bennani, a Moroccan-born New Yorker, are on display at the Power Plant Contemporary Art Gallery as part of the Wavelengths section of the Toronto International Film Festival.
Montreal introduces us to Yayoi Kusama at the Phi Foundation Contemporary Arts Museum this July. The artist, being from Japan, is known primarily for her Infinity Mirrored Rooms, where solo audience members are indulged in a giant disco universe.
Iranian-born New York City resident Shirin Neshat is a visual artist best recognized for her work in photography, and film. Prior to the Iranian Islamic Revolution in 1974, Neshat traveled to Los Angeles to pursue her art studies.
In September 2020, the plumb christened their newly renovated gallery space in Toronto’s St. Clair West neighbourhood with exhibition Pits, Seeds.
At the beginning of last year, Vivienne Westwood and Andreas Kronthaler made the most of the relaxation of restrictions across Europe traveling down to Naples to see friends – a trip that would coincidentally set the scene for their SS22 campaign against “collapsing 16th-century houses, fishing boats, and vibrant locals.”
Brent Cleveland and Sheila Nadimi, two artists living and working in Montreal, are both perhaps emblematic of the city’s propensity toward the avant-garde.
Los Angeles-based Indonesian photographer Auli Sinaga‘s photography is filled with rage. “If you see me, a small Asian woman, you would never depict me as an angry person.
Avleen Kaur is an emerging visual artist based in Toronto, whose distinctive visual poetry speaks to the perils of human life.
