For months we have been surrounded by boxes upon boxes of both new and old garments and heaps of objects, uniforms, and other sundry items—as a team we have sought out strategies to sort through and organize this multitude, as a kind of compendium—working with alumni/designers/artists/students/faculty we have designed and redesigned, deconstructed and reconstructed our way through the seemingly endless piles with boundless perseverance, infinite patience, and many illuminating conversations.
The contemporary sonic soundscape of pop music toward the end of the 2010s lent itself heavily to a sort of anti-melodicism, a particular dissonance that sprang up in the likes of queer underground artist collectives.
Notching delves into the perpetual drive to move forward, capturing the restless motion of our deepest desires while embracing the inner tension it creates.
From intricate tailoring at Yohji Yamamoto, to broad silhouettes at Dries Van Noten, and bold shoulders at Saint Laurent, it is clear that elevated workwear is making its way back into our wardrobes.
Moustapha S., started to DJ under the alias “ASîDE” at İstanbul Pride Week parties in 2018, and performed in prominent venues of the city.
The location for this season’s Anna Bolina runway show is a nondescript windowed room off the J train in Lower Manhattan.
Until recently, New York Fashion Week felt a little dull. It’s true that heritage American brands like Ralph, Tommy, Michael Kors et al do Upper East Side collar-popping better than most, but beyond striped rugby shirts and oversized poplin, pre-pandemic NYFW was lacking a little panache.
Electric: A Celebration of Womanhood champions the empowerment of black women through the rise of icons. In the vein of Rihanna, Beyonce, Naomi Campbell, Megan Thee Stallion and more, Electric honours women of colour who have paved the way in media, eschewing representations of black women as “aggressive” “strong” and “intimidating”; instead showcasing their creativity, personal style, and entrepreneurship.
